The beginning of the song starts with the Archdeacon swinging the incense-filled thurible, as he and his altar servers walk through Notre Dame, chanting the beginning of the Confiteor. As well as some variations heard early on (such as in " The Bells of Notre Dame"), this motif "informs much of the score that chronologically follows in the film." Reviewer Christian Clemmensen of adds that "both 'Paris Burning' and 'Sanctuary!' explicitly continue the instrumental backdrop and Latin chanting of 'Hellfire', a sound that becomes more general in 'And He Shall Smite the Wicked'." Also, "the opening fanfare is also reintroduced at the end of 'Heaven's Light', makes up the melody during the chorus of 'Hellfire', and plays in the instrumental 'Sanctuary!'" The instrumental accompaniment to the song serves as a musical motif that alters in tone depending on the action. It also provides counterpoint material throughout the song, whose ending also contains the " Kyrie Eleison". This prayer begins directly after "Heaven's Light" and serves as the introduction to "Hellfire". "Hellfire" contains parts of the Confiteor, a Latin prayer of confession used by the Roman Catholic Church. It soon modulates briefly into C minor, then F major, has a spoken intersection where the bass lies on A, dominant of D minor, the key in which the song finally ends. It begins in B flat major, before turning to its relative minor G. Quasimodo sees love as "Heaven's Light" and expresses a pure hope for Esmeralda, while Frollo feels only lust for her and therefore views her as a "Hellfire". The song was intended to contrast with the song " Heaven's Light", which was sung by Quasimodo moments earlier, expressing his desire for love and hope that Esmeralda may love him, while "Hellfire" focuses on Frollo's internal conflict between his feelings of lust for her and his hatred of the Gypsies.īoth songs, which are sometimes referred to collectively as "Heaven's Light"/"Hellfire" (for example on the soundtrack, in which it is track 7), describe two opposing views towards the same woman. This "scene of lust and longing" that the song is centered on received much press coverage at the time of the film's release, along with the alterations made to give the film a "G" rating. He sings "destroy Esmeralda, and let her taste the fires of hell, or else let her be mine and mine alone" while the image of Esmeralda "provocatively dances in front of him". Frollo "confronts his lusting for Esmeralda, blaming her for turning towards darkness, and pleading to be saved". This internal struggle prompts "Hellfire", which has been described as "one of the best Disney villain songs of all time". When lustful thoughts regarding the beautiful Romani woman Esmeralda enter Frollo's mind, he "panics and seeks to rid himself of source". The song is sung by the film's main antagonist, Judge Claude Frollo, who is voiced by Tony Jay. " Hellfire" is a song from Disney's 1996 animated feature The Hunchback of Notre Dame. From the album The Hunchback of Notre Dame: An Original Walt Disney Records Soundtrack
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